Oh my my. Gorgeous isn't the word. After the migraine-y Nassau and Earl's Court voios, these clips are like a warm bath after a hard day. Some highlights:

'In the Flesh?' - Even up close, those life masks were really good. Great synch between Waters and Andy Bown on the vocals, too.

'The Happiest Days of Our Lives' - On the voios it's hard to get a feeling of the full scale of the inflatable puppets, but here - well-lit and shot from all angles - they're absolutely huge. The Teacher puppet is actually freakin' scary.

'Young Lust' - Gilmour and Waters share a microphone, swapping spit in perfect crystal-clarity. Waters gawps at the camera, then starts a political debate with an ant crossing the stage floor while Gilmour sings the verse.

'Hey You' - Another good glimpse of the show's massive scale. We get a band's-eye view of the start of the second act - namely, a big fat eyeful of Wall - and it is indeed one huge mammajamma.

'Comfortably Numb' - Much clearer than the bootlegs...I wish they'd included a wide shot though. The only bonus: Waters' abrupt 'fuck this, I'm going for a pint' departure from stage just as Gilmour sings 'you are receding...'

'The Trial' - The Wall's collapse in the voios is pretty anticlimactic, but here, it's filmed at stage-and-audience-level. Yikes. No wonder the musicians were shitting themselves while the bricks thundered all around their tender little heads.

'Outside the Wall' - Love that barbershop quartet. Go woo-woo boys!